Category: Creativity

Shop-windows, reflections, and open doors ~ night wandering

Posted in Creativity, Other Thoughts and Reflections, PhotographyTagged , , , , , , , 9 Comments

When you’re walking down a long road, it’s good to sometimes look back to see how far you’ve journeyed. Looking at the road winding behind can provide motivation to continue placing one foot in front of the other, even when you’re tired and the landscape seems to look the same in every direction. Similarly, reflecting on one’s photographic journey can generate new insights ~ where did it all begin? Why do I make photos of the things I do? How have I changed?

A Nikon camera, open doors, and self-compassion

I purchased my first DSLR – a Nikon D5100 – in 2013. I’d known for some years that I had an interest in visual arts but I’d never been confident enough to do anything about it. In fact, for many years I told myself that I didn’t have the mindset to learn photography, citing my lack of mathematical and technical skill as reasonable obstacles to personal growth. In 2013, I decided to toss those limiting thought processes in the bin. In deciding to open the door to a new world of creativity and experience, I needed to be kind to myself. I needed to nurture self-compassion. I needed to allow myself to make mistakes so I could learn without the harsh self-judgement that so often foils personal growth.

A warm invitation, an open door – Nikon Z5

We’re often kinder to strangers than we are to ourselves. We grow up learning that we should treat others as we would like ourselves to be treated (do unto others as you would have them do unto you), yet we’re regularly too hard on ourselves and the mistakes we make. It’s wise to recognise that we’re all human, vulnerable, and in need of care and love, including self-care. Being kind towards others is only half of the story – we need to learn to be kind to ourselves, too.

Rather than seeing ourselves as isolated individuals competing with others for attention and acceptance, it’s healthier to see ourselves as we truly are: vulnerable human beings on a tiny blue dot, huddled together for warmth, love, and community with other human beings. Rather than our sense of self springing from the high levels of self-esteem that are often encouraged in us by the education system, our jobs, our families, and our society, it’s healthier to develop a sense of self-compassion – self-kindness rather than self-judgement, community rather than isolated individuals, and mindfulness rather than overidentification.

Fighting the little demon

I used to worry if I missed a moment with my camera. I’d curse myself for forgetting a setting or being too slow or not being brave enough. But the worry is misplaced. Those negative feelings increased stress and fed into a personal story that I wasn’t any good at photography – that it was all too hard and I should give it up.

There’s a negative part of us, a tiresome inner demon composed of trauma, fear, self-doubt, suffering, and anxiety, that actively wants us to fail and fall over because growing and learning isn’t easy at all – it requires energy, motivation, self-acceptance, and self-compassion. Part of growing is journeying into our inner world and confronting the little demon. That can be scary and difficult. It’s easier and safer to avoid the confrontation and focus on distractions.

Giving up is easy but walking down the road and dealing with self-doubt, pain, fear, and anxiety in your exhaustion so you can look back to see how far you’ve come is hard. It takes time and energy and the sort of motivation that isn’t easy to muster in a stressful world. It’s easier to remain rooted to the spot, sticking to your beliefs and self-beliefs, than it is to change. Change isn’t easy, but all of nature is change. Resisting change is like living in a sandcastle with the tide rolling in. The great Abstract-Expressionist, Jackson Pollock, once said “I am nature!”, when faced with criticism about his creative approach.

Hotel now closed – Nikon Z5

Not only do we have to fail so we can learn, we also need to permit ourselves to fail and make mistakes. Allowing our mistakes to limit us leads to personal stagnation. I’ve said for many years that I don’t want to place a full-stop on the things I do – better to pause to catch my breath and then move on. It may be one of the toughest things to do in a world where our mistakes are often saved on social media platforms and remote servers around the world. They can come back to haunt us and remind us of our self-perceived incompetence.

Sparkling in the dark – Olympus OMD EM5 Mark 2 and Yongnuo 25mm 1.7 lens

Perhaps the old saying should be: We should treat ourselves kindly and treat others as we treat ourselves (do unto others as you would do unto yourself).

Wending my way through photo edits on a quiet day ~ curation, technical considerations, and personal growth

Posted in Aesthetics and Technique, Creativity, Other Thoughts and Reflections, Philosophy and Photography, PhotographyTagged , , , Leave a comment

It’s a public holiday and I’m working my way through old photos in hopes of finding some stray winners I’d forgotten about. I’ve always been my own biggest critic, editor, and curator. I think it’s good to develop our own tastes as photographers over time. It’s important to connect to our own photos without judgement, reflect on the image and the subject choice, consider the chosen settings, and remember our original photographic vision for the scene versus the actual image.

The key is to do this without judgement. Not every photo is going to meet your developing creative tastes. Not every photo is going to work at a technical level – some will be blurry, some will be rushed, some subject choices will seem odd, and some photos will seem dull. All this is absolutely OK. It needs to happen for growth to happen.

Sundial on a cloudy day – Olympus EM5 Mark 2 and Zenitar 16mm 2.8 Fisheye lens

I love the way the sunlight hits the sundial to reveal the texture of the metal in the photo above. All of the rust spots, built-up debris, weathering, and patina is visually interesting. The old Zenitar Fisheye would be a specialist lens on a 35mm camera, but on the half-sized sensor of the Olympus it works out to an equivalent focal length of 32mm and functions as a nice wide lens with a sharp centre and mushy corners. In situations where I want to get close and get in as much of the scene as possible, it’s a great lens.

There’s a little blown out highlight right up the top, but blown highlights and blocked shadows are not necessarily bad things, and in the above photo it’s very small and not distracting. There are so many other elements that make up a photo! Consider these questions: is there any detail in the highlights/shadows that you want to preserve? Will preserving those details add to your photo? If you make a photograph and part of the image features a glowing light bulb, for example, should you decrease the exposure to bring down this highlight so that the filament inside the bulb can be seen? Will doing this compromise other elements in your photo? How integral are those highlights and shadows to your photographic vision? Instead of the sensor having to manage dynamic range that exceeds its capabilities, can you simply reframe the image instead to include less heavy highlights/shadows?

Cheapo Mad Max – Olympus E1

In the photo above, my decision to focus on the car door was made easy by the fact that the window at the top was allowing in a lot of light. The E1 has an old sensor that doesn’t manage high dynamic range so well, so it made sense for me to cut out most of the light from the window in my viewfinder composition so as to preserve the details in darker areas and on the car door. In effect, the old sensor didn’t need to work so hard to contain all of the dynamic range in the scene.

The red paint on the left, the curved red painted area to the bottom right, and the window at the top all serve to frame the weather-beaten door and its message. It may not be the most exciting photo in the world, but it works for me and it’s a good example of connecting a scene to a photographic vision through careful composition and technical knowledge. I’ll be the first to admit that I’m not always good at that and plenty of photos don’t meet my own tastes, but I keep learning.