Having been very connected to my Olympus E-1 lately, I decided it was high time to take out another old digital camera in the Nikon D40. I don’t always get the chance to engage in street photography but when I do it can be a lot of fun. It does require a different approach though – being on the look-out for likely scenes and waiting for the right moment. The D40 isn’t exactly a classic street machine but it’s also small enough not to be much of a bother unless a big lens is attached, like the Tamron 17-50 2.8 I decided to go with!

I find that the D40 makes really nice photos, but the CCD sensor technology isn’t so great when you have to pull details out of heavy shadows during editing. The RAW files are flexible enough, but the heavy shadow areas can be a bit thin. These older sensors also aren’t so great at retaining highlights either, so you have to make the choice – expose for shadows or highlights when the lighting creates dynamic range that’s outside of the scope of the camera. This is similar to slide film.

Even though there’s noise in shadow areas when you pull up the exposure during editing, the digital noise pattern isn’t objectionable. This is one area where CCD sensors had a clear advantage over their CMOS counterparts at the time – lower noise and a finer noise pattern. We seem to have come a long way since those early digital days, but cameras like the D40 still make perfectly excellent photos! How far have we really come, one might wonder?

There’s also another nice advantage to using an old camera like this – 6 megapixels pairs really well even with a kit lens that doesn’t see a lot of love. The old 18-55mm Nikkor kit lens is much maligned but is nicely sharp on an old camera like this, since it out-resolves the 6 megapixel sensor. My Tamron looks even better and seems to pick up plenty of primary colours wide open. Still a perfectly excellent camera.